Wednesday, February 22, 2012
photographic global diary
http://uk.phaidon.com/agenda/architecture/picture-galleries/2011/february/16/a-diary-of-the-best-architecture-from-around-the-world/
Friday, February 17, 2012
school talk 20 feb
attend the school talk on Monday, 8.30 - 10h
by Kelvin Campbell on
MASSIVE SMALL: The operating system for Smart Urbanism’
KELVIN CAMPBELL
Kelvin is a terminally-dissatisfied idealist as well as a seasoned contrarian, so has been at the forefront of new urban thinking for many years. An architect/urban designer, graduating from Wits in the 1970’s, he co-founded Urban Initiatives, a highly regarded urban design practice in 1989, and, more recently, the Smart Urbanism Group: one of the largest online communities bringing together sustainable urbanism with social innovation.
The lead author of ‘By Design’ (CABE) 2000, the national policy document on urban design, and the recent Mayor of London’s ‘Housing Design Guide’, he has published, edited and written numerous books and articles on urban design, including ‘Re:Urbanism: A Challenge to the Urban Summit’, which pointed the way to his latest book, ‘MASSIVE SMALL: The operating system for Smart Urbanism’ (published in April 2011 and available from Amazon)
He is Visiting Professor in Urban Design at the University of Westminster; was on CABE’s Design Review Committee and the Prince’s Foundation Advisory Panel; past Chairman of the Urban Design Group; and a long time assessor for the National Housing Design Awards. He regularly lectures and has undertaken a number of masterclasses, including an international British Council/Fulbright sponsored programme.
Kelvin lives in London with his wife, Louise, having moved there some 25 years ago from Cape Town, and is still in awe of the city.
to read for monday
http://swchuarchitect.blogspot.com/2007/02/paranoid-urbanism-enclaves-in.html
South Africa. The first free elections in 1994 turned the whites’ political, social and economic position upside-down. This challenge to white status was accompanied by insecurity about the future. In Johannesburg, the increasing crime rate across the city prompted an exodus of major first-world investors. Africans, previously confined to living outside the city proper in townships or ‘homelands’ started to move into the rest of the city. In response to this black ‘invasion’ the whites fled north in a spatial exodus that only the developers could keep up with. Most businesses migrated from downtown to the northern suburbs so as to be far away from ‘deteriorating’ downtown and ‘dangerous’ Soweto. Within seven years, a whole new suburban city – Standton – had been built in the north by speculators with new office blocks, a new financial centre, new malls, and new houses. Most of the developers’ plans consisted of walled and themed environments.
In Johannesburg, crime is the common topic of conversation among all races and classes. Stories, hearsay, anecdotes, mass media reports, even jokes amplify the threat of crime. Especially amongst the middle class, insecurity about the future, phobia about being the object of hostility and fear of losing possessions has grown into absolute intolerance of the ‘others’ and dramatic magnification of the need for self-defence. Paranoia about the unknown ‘others’, long suppressed under the protection of Apartheid, broke out with a vengeance once that protection was removed. Architecturally, the excessive self-defensiveness, the urge to counterattack, the desire to re-assume power and the longing for temporary mental escape from the unpleasant context, resulted in one logical solution: the fortified enclave.
The violent situation was skilfully exploited by the speculative development sector; high security ‘cluster homes’ and ‘office parks’ were launched, replete with extreme measures for combating crime. The enclave’s strategy for physical security can be summed up in one word, ‘fortification’. This fortification manifests itself in automatic gates operated by remote control, gatehouses manned by security guards, electrified fencing, surveillance cameras, rapid armed response by private security armies, lighting throughout the property, panic buttons, burglar-proof bars, built-in sirens, watch dogs, and spikes, broken glass, razor wire on top of walls, et cetera. Most of the enclaves have a single entry point; every time someone wants to enter, their personal details and the reason for their visit are recorded by security guards.
The characteristics of the enclaves – mono-functional, enclosed by walls and introverted – allow them to be built anywhere regardless of context. These walled and armed environments, filled with an array of programmes, both public and private, are located randomly in Johannesburg’s dry and boring landscape, like oases in the desert. Traditional public spaces, such as parks and squares, are less and less used since they are more likely to be exposed to crime. Emerging semi-public spaces like casinos, shopping malls, entertainment centres, gyms, golf clubs, have fully embraced the enclave principle by controlling access and so securing the commercial and communal environment.
While fortification provides physical protection, the demand for psychological security is satisfied by the architectural styles of the enclaves. Behind walls, all building typologies are European and historically styled; Victorian, Tudor, Mediterranean, Medieval and Georgian themed backdrops allude to safety and moral rectitude, allowing an unpleasant context to be psychologically denied. The theme park is the unconscious architectural strategy; super-reality and idyllic settings serve to replace the real world with an imaginary one. This escapism steers the mental image of reality to an interface between ‘somewhere else’ and ‘here and now’. Given the barren landscape and violent context, architecture in Johannesburg is obliged to provide an enhanced lifestyle in order to keep its inhabitants from emigrating. Every house has a lush garden, barbecue, swimming pool, or even tennis court. Dainfern, the biggest estate enclave in Sandton even has a golf course and clubhouse at the centre of the estate.
Johannesburg’s ‘bad’ taste is, however, fairly tame compared with that of Los Angeles. It is marked not by exuberance but by a mediocrity inspired by embarrassment and fear. Parading one’s wealth can have undesirable and predictable consequences such as kidnapping and robbery. This embarrassment and fear leads to the repressed desire for hedonism and that in turn results in mediocre vulgarity. Architecture best reflects this embarrassment: one lives in a Mediterranean villa, goes shopping in an Italian mall, works in a Tudor Mansion, relaxes in Caesar’s Palace, but all styles and gestures are hidden behind fortifications.
Paranoia is a significant determinant of new developments in Johannesburg. The enclaves are the spaces where middle-class Johannesburgers live, work and play nowadays. Fortification of the enclaves in the interests of physical safety is turning Johannesburg into a landscape of surveillance; the historic and European styles of enclave architecture – a form of psychological escape – are rapidly transforming the city into a giant theme park. Unless one is aware of that fear and paranoia, large parts of present-day Johannesburg do not make sense. But how will this evolve in the future?
In Johannesburg, crime is the common topic of conversation among all races and classes. Stories, hearsay, anecdotes, mass media reports, even jokes amplify the threat of crime. Especially amongst the middle class, insecurity about the future, phobia about being the object of hostility and fear of losing possessions has grown into absolute intolerance of the ‘others’ and dramatic magnification of the need for self-defence. Paranoia about the unknown ‘others’, long suppressed under the protection of Apartheid, broke out with a vengeance once that protection was removed. Architecturally, the excessive self-defensiveness, the urge to counterattack, the desire to re-assume power and the longing for temporary mental escape from the unpleasant context, resulted in one logical solution: the fortified enclave.
The violent situation was skilfully exploited by the speculative development sector; high security ‘cluster homes’ and ‘office parks’ were launched, replete with extreme measures for combating crime. The enclave’s strategy for physical security can be summed up in one word, ‘fortification’. This fortification manifests itself in automatic gates operated by remote control, gatehouses manned by security guards, electrified fencing, surveillance cameras, rapid armed response by private security armies, lighting throughout the property, panic buttons, burglar-proof bars, built-in sirens, watch dogs, and spikes, broken glass, razor wire on top of walls, et cetera. Most of the enclaves have a single entry point; every time someone wants to enter, their personal details and the reason for their visit are recorded by security guards.
The characteristics of the enclaves – mono-functional, enclosed by walls and introverted – allow them to be built anywhere regardless of context. These walled and armed environments, filled with an array of programmes, both public and private, are located randomly in Johannesburg’s dry and boring landscape, like oases in the desert. Traditional public spaces, such as parks and squares, are less and less used since they are more likely to be exposed to crime. Emerging semi-public spaces like casinos, shopping malls, entertainment centres, gyms, golf clubs, have fully embraced the enclave principle by controlling access and so securing the commercial and communal environment.
While fortification provides physical protection, the demand for psychological security is satisfied by the architectural styles of the enclaves. Behind walls, all building typologies are European and historically styled; Victorian, Tudor, Mediterranean, Medieval and Georgian themed backdrops allude to safety and moral rectitude, allowing an unpleasant context to be psychologically denied. The theme park is the unconscious architectural strategy; super-reality and idyllic settings serve to replace the real world with an imaginary one. This escapism steers the mental image of reality to an interface between ‘somewhere else’ and ‘here and now’. Given the barren landscape and violent context, architecture in Johannesburg is obliged to provide an enhanced lifestyle in order to keep its inhabitants from emigrating. Every house has a lush garden, barbecue, swimming pool, or even tennis court. Dainfern, the biggest estate enclave in Sandton even has a golf course and clubhouse at the centre of the estate.
Johannesburg’s ‘bad’ taste is, however, fairly tame compared with that of Los Angeles. It is marked not by exuberance but by a mediocrity inspired by embarrassment and fear. Parading one’s wealth can have undesirable and predictable consequences such as kidnapping and robbery. This embarrassment and fear leads to the repressed desire for hedonism and that in turn results in mediocre vulgarity. Architecture best reflects this embarrassment: one lives in a Mediterranean villa, goes shopping in an Italian mall, works in a Tudor Mansion, relaxes in Caesar’s Palace, but all styles and gestures are hidden behind fortifications.
Paranoia is a significant determinant of new developments in Johannesburg. The enclaves are the spaces where middle-class Johannesburgers live, work and play nowadays. Fortification of the enclaves in the interests of physical safety is turning Johannesburg into a landscape of surveillance; the historic and European styles of enclave architecture – a form of psychological escape – are rapidly transforming the city into a giant theme park. Unless one is aware of that fear and paranoia, large parts of present-day Johannesburg do not make sense. But how will this evolve in the future?
Five scenarios for the future of paranoid Johannesburg
The following 5 scenarios are reflections of the nightmare images of what is currently happening or desired. The extreme prejudices and paranoia vis à vis ‘the others’ is manifested in the way the city is organized. In these scenarios, the Have-nots are represented by their movements and aspirations. The Haves are represented by their tools and tactics for modifying and defending their spaces. These 5 scenarios should serve as negative models and as metaphors that also apply outside the context of Johannesburg.
The following 5 scenarios are reflections of the nightmare images of what is currently happening or desired. The extreme prejudices and paranoia vis à vis ‘the others’ is manifested in the way the city is organized. In these scenarios, the Have-nots are represented by their movements and aspirations. The Haves are represented by their tools and tactics for modifying and defending their spaces. These 5 scenarios should serve as negative models and as metaphors that also apply outside the context of Johannesburg.
Next step: Look at the 5 scenarios on Shiuan-Wen Chu's blog.
spatial diary 2012
other links
http://swchuarchitect.blogspot.com/search/label/diary
http://www.daneldon.org/journals/
http://www.wholeearth.com/
storyboard etc
Hi Michael
thanks for asking, i am actually preparing a lecture
for monday to explain those things a bit more in detail
but for now:
the storyboard should visually explain
how your bird'house' is made
where it is placed
how it might be used
you might also consider it as an illustrated users manual
but a manual is a complicated thing to produce
and therefore i called it storyboard
it does not have to have the same scale than the drawings
it does not have to be on card board
you can use drawings and/ or photographs
but you have to develop a consistent graphic language
i will show you samples and put them on the blog
after lecture on m-day.
the drawings do not have to be technical to the final detail
but they have to display basic and necessary technicalities,
as you have to build the 'house'
that should be no problem
generally:
no borders
no big name signatures
(but your name has to be on the work)
keep it simple and beautiful
it has to be carefully assembled and well made.
From: Michael Constantinides [
Sent: 16 February 2012 03:24 PM
To: Kirsten Doermann
Subject: 2nd Year P1
Good day Ki-ki
I wanted to drop this email and ask you a few questions about the project.
With the storyboards, are they meant to be the same size as the drawings and must they be on cardboard.
And also are the drawings meant to be technical or creative? I know its design but I just want to double check.
I will forward your reply to the class.
Many thanks
Tuesday, February 14, 2012
generalities from the net
South Africa ranks as one of the top birding destinations in the world.
Birders from around the world come to experience both the great variety of typically African birds, migrants, and Endemic Birds. These birders enjoy excellent birding, whether they are with an organised commercial birding tour or are touring independently. Of the +/- 850 bird species recorded in South Africa, about 725 are resident or annual visitors, and 50 of these are endemic or near-endemic and can only be seen in South Africa. Apart from resident birds, South Africa hosts a number of intra-African migrants such as cuckoos and kingfishers, as well as birds from the Arctic, Europe, Central Asia, China and Antarctica during the year.
Even though Gauteng is the most heavily developed area in South Africa, Gauteng offers excellent birding. Around 350 different bird species can be seen within easy reach of Johannesburg and Pretoria, and a wide range of habitats are easily accessible. Of primary interest are Marievale, Suikerbosrand, the Magaliesberg Mountains, Walter Sisulu National Botanical Gardens and the Dinokeng Bushveld area. Even within cities a great variety of birds may be found, and garden lists often exceed 100 species. Common species include Hadeda Ibis, Speckled Pigeon, Grey Loerie, Bokmakerie, Green Woodhoopoe, Black-collared Barbet, Olive Thrush and Cape Robin.
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