Wednesday, April 24, 2013
Friday, April 19, 2013
link to layout samples
http://swchuarchitect.blogspot.com/search/label/teaching%202006%20TU%20Delft%3A%20research
indesign template
will be emailed shortly to Farai and Tumi, with the request to put it on the public folder.
I set up a master page and a document with 12 double pages+cover page.
Please use the cover page for a short description of your area and the areal photo with the frames. In addition I post the areal photographs for each frame here. Make use of it.
The elements from the masterpage will be locked on the pages, here is how to unlock them to fill with your content:
How do you unlock the master items in the regular document
command-shift and click the object on mac and control-shift click on pc
The text in red in an explanation for you and needs to be erased.
You can use sketches on the 2nd page, should you have not been able to photograph.
Remember to move the indesign document ALWAYS with the images linked to it. Create a folder where ind doc + the images are placed. If you separate the two, the images will be not printed or very low quality.
Remember to move the indesign document ALWAYS with the images linked to it. Create a folder where ind doc + the images are placed. If you separate the two, the images will be not printed or very low quality.
Thursday, April 18, 2013
Wednesday, April 17, 2013
http://www.tonybuzan.com/about/mind-mapping/
A Mind Map is a powerful graphic technique which provides a universal
key to unlock the potential of the brain. It harnesses the full range of
cortical skills – word, image, number, logic, rhythm, colour and spatial
awareness – in a single, uniquely powerful manner. In so doing, it gives you
the freedom to roam the infinite expanses of your brain. The Mind Map can be
applied to every aspect of life where improved learning and clearer thinking
will enhance human performance.
http://www.tonybuzan.com/about/mind-mapping/
7
Steps to Making a Mind Map
1. Start in the
CENTRE of a blank page turned sideways. Why? Because starting in the
centre gives your Brain freedom to spread out in all directions and to express
itself more freely and naturally.
2. Use an IMAGE
or PICTURE for your central idea. Why? Because an image is worth
a thousand words and helps you use your Imagination. A central image is more
interesting, keeps you focussed, helps you concentrate, and gives your Brain
more of a buzz!
3. Use COLOURS
throughout. Why? Because colours are as exciting to your Brain as are
images. Colour adds extra vibrancy and life to your Mind Map, adds tremendous
energy to your Creative Thinking, and is fun!
4. CONNECT your
MAIN BRANCHES to the central image and connect your second- and third-level
branches to the first and second levels, etc. Why? Because your Brain
works by association. It likes to link two (or three, or four)
things together. If you connect the branches, you will understand and remember
a lot more easily.
5. Make your
branches CURVED rather than straight-lined. Why? Because having nothing
but straight lines is boring to your Brain.
6. Use ONE KEY
WORD PER LINE. Why Because single key words give your Mind Map more
power and flexibility.
Use IMAGES throughout. Why Because each image,
like the central image, is also worth a thousand words. So if you have only
10 images in your Mind Map, it’s already the equal of 10,000 words of notes!
time + equipment
we meet at 8.15 in the bubble, the bus leaves at 8.30
we will not wait.
bring pencil and paper, a visual recording device if you feel fine using it (you can leave bags in the restaurant should you change your mind)and an open mind.see you there
documents will be printed out and handed to groups (of six students each - they have to be mixed in gender and race, i will take the liberty to mix up, should this not be the case)
18.4.2013 - tasks
fieldwork Rosettenville/ La Rochelle 18.4.2013
groupwork
people, perception and prejudice
find
5 different people in the area allocated to you who live in Rosettenville and
record their personal history and their spaces. find 5 different people who do
NOT live in Rosettenville and record their perception of the area.
questions
where are you from?
what do you do in
Rosettenville/ La Rochelle?
where do you live?
how do you live?
how do you live?
with whom? what type of
space: house, apartment, room
how much rent to you pay?
how long have you lived
here?
did you move? if so, why?
where do you work?
what do you think about the
place?
do you feel safe?
what do you think about the
park?
what do you wish for the
park?
do you use the public pool?
how do you get around?
what is your biggest fear in
the area?
what
do you like?
ask if you can take a
portrait of the person, otherwise
take a photo or make a sketch of the place where you met them. print this A4
portrait. type questions and answers out on a word document. A4 portrait.
edge conditions
document the different edge
conditions in Rosettenville/ La Rochelle on your allocated area, min 2 different ones per person, 12 per groups,
see template for representation, try
to find out as much information about the situation as you can, why it looks like it does,
how it operates, who manages it, page size A4 portrait
individual work
you
produce a mental map of
your first visit to Rosttenville/ La
Rochelle ( A3 landscape)
pin up Monday 22.4.2013 2pm
Tuesday, April 16, 2013
email from jen
Dear Kiki,
I went to site today for a few hours to chat to the park communities that were out and about, and spent a lot of time in the park area and chatting to the dudes in the small park - who are mostly well educated and extremely friendly, and will help the students.
- - most were incredibly friendly and seemed well educated and some had lived in the area for over 15 years, so two dudes (Marshall and one other) should be at the Old Ouens on Thursday to act as guides and in return I'll shout them lunch.
- - there were a group of men gambling but the bigger group told us not to approach them and they would disseminate info.
- - some are very anxious about no pictures - I think because of the foreign issue, so please reinforce to the students NO pictures, even from a distance, without asking first.
- - the Region F buildings are happy to accept the students,
- - the older dude with white hair and the dog is apparently a refuge/refugee place, i have his bosses contact details and will try to get permission to access.
- I didn't get a chance to knock on the houses, I'm sure it will be fine, but the park dudes feel that some houses have dubious activities, I'll stick with the groups on that side.
Boet at Old Ouens, the pub/restaurant on the lake, is more than happy to host the students, and he appreciates if they can all buy a drink each.
Can you please print the attached fliers for the students to carry to give to people should they have queries (3 to a page so please guillotine).
Flyers will be distributed on Thursday morning. ki
Flyers will be distributed on Thursday morning. ki
outstanding marks
Play: House
598802
45 45
601658 55 50/45
554163 50/55 50/55
335942 55 -
556337 50 50
533659 55 -
564540 45 55
464437 55 50
598345 50/55 55
571226 60 60
557082 60 60
566436 55 50
485724 50/55 55
537548 45 45
686187 50 55
686284 55 55
598921 55 55
600395 50 50
679104 40 -
558994 50/55 50
350953 55 55
0705989V 60 60
And the only timber project
541478 56
601658 55 50/45
554163 50/55 50/55
335942 55 -
556337 50 50
533659 55 -
564540 45 55
464437 55 50
598345 50/55 55
571226 60 60
557082 60 60
566436 55 50
485724 50/55 55
537548 45 45
686187 50 55
686284 55 55
598921 55 55
600395 50 50
679104 40 -
558994 50/55 50
350953 55 55
0705989V 60 60
And the only timber project
541478 56
comments analysis
please check the comments on the wall as well, they are often repetitive
that's why we summarized them here.
the
marks are provisional and go either way, up or down, depending on what
you decide to correct. the amount of work (number of buildings analyzed)
has not influenced the mark given yet, but will do int he final
calculation. one group has submitted 58 concept drawings, this means,
the material must be there. the banners still need to be marked.
light & size
submitted
on monday: 48/ 60
provisional
mark 58 -
- Put gradient from light to dark in key
- Show airflow as wavy arrow
- Ensure consistency of visuals across group
- In certain examples, roof-lights were missed, look at the drawings and photos of the documented houses.
circulation+threshold
submitted
on monday: 43/ 60
provisional
mark 58 –
- threshold
not differentiated enough, public +
private does also apply to different rooms in the house
- inside+outside
spaces often neglected
- at times, the arrangement of units on the site plan shows
important thresholds, these are not
included
- colorcode, font + size of tiles not consistent
- vertical+horizontal
circulation not always well represented
- thresholds/zones
indicated in sections should have names
context & cost
submitted
on monday: 53/ 60
provisional
mark 60-
- Key works well but you need to highlight better i.e don't just make outline bold use colour to show the surroundings (industrial, city, suburb, countryside) and the type of inhabitants (family, single etc)
- If no cost estimate (social, entry level, luxury)
- no borders on photo images
- highlight/ outline the site/ building on the aerial photo
- erase google logo etc where necessary
- group to use colours consistently
- Another thing to consider in terms of context is whether the houses are case study/ model units, social housing, private developments etc.
- Also consider some types might cater for the extended family (including grandparents etc)
concept
submitted
on monday: 58/ 60
provisional
mark 58-
- Less text more illustrations
- Looks good, but missing in depth content
- draw a diagram of what is said in text, can't just rely on words
- Find underlying principle, the key generator
of the design (this may be evident at a site level, may be about form, may be specifically about planning or about light for instance) find the right drawing ( site plan, plan, section, axo) and scale to show the ideas - Light cone is illegible in certain drawings and incorrect in others.
adaptabilty
submitted
on monday: 50/ 60
provisional
mark 55-
at times
before + after is missing
growth is
not illustrated or understood properly in the samples that where designed to
grow (chile+kliptown)
colors in
legend do not correspond to colors in diagrams
scale not
consistent ( example siza, klaus en
kaan)
at times
the adapted plans show no change (nofels,
austria)
format
changed (holzbox)
façade/ composition
submitted
on monday: 47/ 60
provisional
mark 55-
use
different fonts
did not
follow template at times ( size of logo,
font, color)
different
scales for no appearant reason
image of
wrong building (andre lucrat, vienna werkbund)
index of
spatial organization + façade analysis difficult to understand ( relevance)
at times
there is no analysis (arne jacobsen)
you did not
include sections or find another way to include depths on the façade, like build in balconies,
hanging balconies, bay windows, overhangs etc
structure + material
submitted
on monday: 34/ 60
provisional
mark 45-
poor
submission
colorcode
not consistent with colors used in diagrams
materials
often printed as grey box
disgrams
generally difficult read, not
indexed properly
...
Monday, April 15, 2013
analysis/ row samples
all (!) work has to be left up in the foyer till friday
history will be marked that day
design marks will be adjusted that day
expect provisional marks and comments for the analysis
(not the banners yet)
this morning, you can complete/ update your submissions
after marking on friday,
the work will move to the studio as reference wall
for the design project and pinned up in chronological order
...
history will be marked that day
design marks will be adjusted that day
expect provisional marks and comments for the analysis
(not the banners yet)
this morning, you can complete/ update your submissions
after marking on friday,
the work will move to the studio as reference wall
for the design project and pinned up in chronological order
...
Thursday, April 11, 2013
kliptown link for context group
http://informalcity.co.za/kliptown-2
please remind me to give you the costs today at wits.
please remind me to give you the costs today at wits.
Kliptown text
The Kliptown
housing workshop was an initiative funded by Urban Dynamics /CoJ Housing
Department (JDA) within the larger urban design framework for the future
development of Kliptown by ASM Architects and Urban Designers and Cohen Judin Architects.
The idea was to develop alternative strategies to the ‘one house-one plot’ RDP
model. blacklines designed a unit that starts ‘top-down’ and provides a first
floor with a habitable roof, that can be completed on ground level according to
budget, timeframe and needs of the owner. The unit can be free standing,
semi-detached and transform into a row house, expanding further on the ground
floor over time, depending on context and site.
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